{"id":959,"date":"2026-01-23T20:11:47","date_gmt":"2026-01-23T12:11:47","guid":{"rendered":"https:\/\/www.lujinsong.com\/?page_id=959"},"modified":"2026-03-09T10:33:48","modified_gmt":"2026-03-09T02:33:48","slug":"959-2","status":"publish","type":"page","link":"https:\/\/www.lujinsong.com\/index.php\/959-2\/","title":{"rendered":""},"content":{"rendered":"\n
\n
\n
\n
\n

\u5bf9\u8bdd\u4e0e\u5171\u632fDialogue and Resonance<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\n

\u4e3a\u660e\u5929\u7684\u666f\u89c2\u7559\u4e0b\u4e0d\u53ef\u78e8\u706d\u7684\u5370\u8bb0\u3002<\/p>\n\n\n\n

\n
\u5173\u4e8e\u6211\u4eec<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\n

\u7115\u7136\u4e00\u65b0\u7684\u827a\u672f\u9986\u5c06\u91cd\u65b0\u5b9a\u4e49\u6587\u5316\u666f\u89c2\u3002<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

On February 4, 2026, an in-depth and extensive exchange on artistic creation was held with Mr. Roro from a French artist agency at the studio of calligrapher and painter Mr. Lu Ligeng in Shenyang Longemont Tea City.<\/p>\n<\/div>\n\n\n\n

\n

Mu Ran Gong\u2018s groundbreaking solo exhibition presents his latest body of work in the Fantasy-Color Freehand style, a contemporary translation of ink spirit.\u201d<\/p>\n\n\n\n

\n
\n

Lu Guanyu (Muran Gong) \u2013 Chinese contemporary artist, founder of the Fantasy-Color Freehand ink painting style, creator of the “Boundless Fantasy” exhibition series.<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Mu Ran Gong\u2018s groundbreaking solo exhibition presents his latest body of work in the Fantasy-Color Freehand style, a contemporary translation of ink spirit.\u201d<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Fantasy-Color Freehand<\/h2>\n\n\n\n

Lu Guanyu (Mu Rangong) Painter-Contemporary Artist Founder of the Fantasy-Color Freehand ink painting style<\/strong><\/a><\/p>\n\n\n\n

\n
Dialogue<\/strong><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n

Symbiosis of Color and Ink<\/h2>\n\n\n\n

Breaking the Old and Establishing the New \/ The Dialectic of Breaking and Establishing<\/p>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n
\n

Temporal-Spatial Layering<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\n

 from the Nebula Series<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\n

 Pillars of Creation<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\n

2Chromatic Journey<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

We\u2019ve worked with some of the best companies.<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"
dav<\/figcaption><\/figure>\n\n\n\n
\"\"
dav<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n

Temporal Overlays\u201d<\/h1>\n\n\n\n
\n
\n\n\n\n

Strata of Time: Historical DNA and Future Syntax in Fantasy-Color Freehand<\/h3>\n\n\n\n

Abstract: This essay focuses on Mu Ran Gong’s core methodology of \u201cOverlaying Historical Timelines.\u201d By analyzing the juxtaposition of Song-Yuan grandeur, Ming-Qing brush spirit, Dunhuang texture, and Western modernist composition within his paintings, it reveals how \u201cFantasy-Color Freehand\u201d acts like an archaeologist, excavating and reconstructing \u201ccultural strata\u201d on a two-dimensional plane to create a visual entity that carries millennial memory while pointing toward the future<\/p>\n\n\n\n

\n\n\n\n

Heartscape: When Ink Becomes a Vessel for Capturing Cosmic Energy<\/h3>\n\n\n\n

Abstract: This essay delves into the core shift in Mu Ran Gong’s (Lu Guanyu) practice: from depicting landscapes to constructing \u201cHeartscapes.\u201d It analyzes how he merges Daoist \u201cQi Yun\u201d philosophy with contemporary conceptions of dark matter and energy fields, transforming \u201cFantasy-Color Freehand\u201d into a unique language for visualizing the invisible forces of the cosmos.<\/p>\n\n\n\n

\n\n\n\n

Laboratory Notes: Decoding the Generative Site of \u201cThree Inks, Five Colors, Two Lights\u201d<\/h3>\n\n\n\n

Abstract: This essay delves into the \u201cbackstage\u201d of Mu Ran Gong’s creative process, using his \u201cExperimental Studies\u201d as a guide to visually unveil the generative process of the \u201cFantasy-Color Freehand\u201d system, from theoretical concept to pictorial realization. By analyzing the application of the core formula \u201cThree Inks, Five Colors, Two Lights\u201d in specific experiments, it demonstrates how his art exists as a rigorous form of \u201cvisual research.\u201d<\/p>\n\n\n\n

\n\n\n\n

A realm where both the object and the self are forgotten.<\/h3>\n\n\n\n

\u2018Linear Awakening\u2019 by Mu Ran Gong. A Fantasy-Color Freehand work where vibrant mineral pigments and ink create a sense of cosmic landscape on Xuan paper.<\/p>\n\n\n\n

<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\n

Founder of the Fantasy-Color Freehand ink painting style<\/p>\n\n\n