{"id":768,"date":"2026-01-15T16:18:14","date_gmt":"2026-01-15T08:18:14","guid":{"rendered":"https:\/\/www.lujinsong.com\/?page_id=768"},"modified":"2026-01-23T19:24:53","modified_gmt":"2026-01-23T11:24:53","slug":"the-path-1979-now","status":"publish","type":"page","link":"https:\/\/www.lujinsong.com\/index.php\/the-path-1979-now\/","title":{"rendered":"The Path: 1979-Now"},"content":{"rendered":"\n

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\u5e7b\u5f69\u5199\u610f\u4e4b\u8def (The Path: 1979-Now)<\/p>\n\n\n\n

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Forty-Five Years of the Brush: A Solitary Celestial Path from Gift to System<\/p>\n\n\n\n

\u6458\u8981 (Abstract): \u672c\u6587\u4ee5\u7f16\u5e74\u4f53\u4e0e\u5173\u952e\u8282\u70b9\u53d9\u4e8b\uff0c\u8ffd\u6eaf\u827a\u672f\u5bb6\u6728\u7136\u516c\uff08\u5362\u51a0\u5b87\uff09\u81ea\u516b\u5c81\u63d0\u7b14\u81f3\u4eca\u56db\u5341\u4e94\u5e74\u7684\u827a\u672f\u957f\u5f81\u3002\u4ece\u5176\u5c11\u5e74\u65f6\u4e8e\u9c81\u8fc5\u7f8e\u9662\u6559\u6388\u8bfe\u4e0a\u7684\u60ca\u9e3f\u4e00\u77a5\uff0c\u5230\u4e8c\u5341\u5c81\u65f6\u7b2c\u4e00\u5e45\u201c\u5e7b\u5f69\u5199\u610f\u201d\u539f\u4f5c\u7684\u8bde\u751f\uff0c\u518d\u5230\u4e0e\u6069\u5e08\u7136\u5e08\u7684\u76f8\u9047\u3001\u4f53\u7cfb\u7684\u786e\u7acb\u4e0e\u56fd\u9645\u89c6\u91ce\u7684\u5c55\u5f00\uff0c\u5b8c\u6574\u63ed\u793a\u201c\u5e7b\u5f69\u5199\u610f\u201d\u5e76\u975e\u6a2a\u7a7a\u51fa\u4e16\uff0c\u800c\u662f\u4e00\u6761\u7531\u65e0\u5c3d\u5b9e\u9a8c\u3001\u54f2\u5b66\u53e9\u95ee\u4e0e\u751f\u547d\u611f\u609f\u94fa\u5c31\u7684\u201c\u5929\u8def\u201d\u3002<\/p>\n\n\n\n

(This essay traces, through chronology and key moments, the forty-five-year artistic Long March of Mu Ran Gong (Lu Guanyu) since first picking up a brush at age eight. From a teenage epiphany in a class taught by professors from the Luxun Academy of Fine Arts, to the birth of his first \u201cFantasy-Color Freehand\u201d painting at twenty, to encounters with his master Ran Shi, the establishment of his system, and the expansion of his international vision, it fully reveals that \u201cFantasy-Color Freehand\u201d did not appear out of thin air, but is a \u201cCelestial Path\u201d paved by endless experimentation, philosophical inquiry, and life realization.)<\/p>\n\n\n\n

\u201c\u5341\u516d\u5c81\uff0c\u9c81\u8fc5\u7f8e\u9662\u90d1\u6ce2\u6559\u6388\u7684\u8bfe\u4e0a\uff0c\u6ee1\u5899\u4e60\u4f5c\u4e2d\uff0c\u4ed6\u7684\u96e8\u4f1e\u70b9\u4e2d\u4e86\u6211\u7684\u753b\u2014\u2014\u2018\u5c31\u8fd9\u5f20\u9886\u4f1a\u4e86\u6211\u7684\u610f\u601d\u2019\u3002\u90a3\u4e00\u523b\u6211\u660e\u767d\uff0c\u5929\u8d4b\u4e0d\u662f\u6280\u5de7\uff0c\u662f\u77ac\u95f4\u8d2f\u901a\u3002\u4e8c\u5341\u5c81\uff0c\u7b2c\u4e00\u5f20\u7528\u8272\u51b2\u7834\u58a8\u89c4\u7684\u2018\u5e7b\u5f69\u2019\u539f\u4f5c\u8bde\u751f\uff0c\u5b83\u9752\u6da9\u3001\u731b\u70c8\uff0c\u662f\u6211\u4e0e\u53e4\u4eba\u5bf9\u8bdd\u7684\u7b2c\u4e00\u58f0\u81ea\u5df1\u7684\u56de\u97f3\u3002\u8fd9\u6761\u8def\uff0c\u6211\u5df2\u8d70\u4e86\u56db\u5341\u4e94\u5e74\uff0c\u4ece\u5c11\u5e74\u5f97\u5fd7\u7684\u7ebf\u6027\u7d20\u63cf\uff0c\u5230\u4e2d\u5e74\u6784\u5efa\u7684\u975e\u7ebf\u6027\u5b87\u5b99\u5fc3\u8c61\u3002\u6bcf\u4e00\u5e45\u4f5c\u54c1\uff0c\u90fd\u662f\u8fd9\u6f2b\u957f\u4fee\u884c\u8def\u4e0a\u7684\u4e00\u5ea7\u9a7f\u7ad9\u3002\u201d<\/p>\n\n\n\n

(\u201cAt sixteen, in Professor Zheng Bo’s class from the Luxun Academy, amidst a wall of studies, his umbrella pointed to my drawing\u2014\u2018only this one grasped my meaning.\u2019 In that moment, I understood: talent is not skill, but instantaneous penetration. At twenty, the first \u2018Fantasy-Color\u2019 painting, where color shattered ink conventions, was born\u2014awkward, vehement, it was the first echo of my own voice in dialogue with the ancients. This path, I have walked for forty-five years, from the linear sketches of a gifted youth to the non-linear cosmic heartscapes constructed in midlife. Each painting is a waystation on this long path of cultivation.\u201d)<\/p>\n\n\n\n

Mu Ran Gong’s \u201cTemporal Overlays\u201d is not merely a technique but the practical application of a unique historical perspective and philosophy of time on canvas. He treats the painting surface as an archaeological site with depth, where each layer of color and ink represents the implantation and dialogue with the artistic \u201cDNA\u201d of a specific era.<\/p>\n<\/div>\n\n\n\n

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The foundational layer may harbor the majestic holism and cosmic order of Song Dynasty landscapes; within it flow the austere brushwork of Bada Shanren and the expressive splashes of Xu Wei; the middle layer incorporates the scientific dissection of light by the Impressionists and the emotional color of Expressionism; the surface shimmers with the mineral texture of Dunhuang frescoes, weathered by millennia, and the planar logic of modern design. This \u201coverlaying\u201d is never mechanical collage but resembles sedimentation, compression, and uplift in geological movements, allowing aesthetics from different times and spaces to collide and permeate, giving birth to entirely new visual life.<\/p>\n\n\n\n

This results in the rare \u201chistorical penetrability\u201d of his works. The viewer simultaneously senses the vastness of ancient artistry and the acuity of contemporary expression within a single moment. Wu Changshuo’s \u201cspirit of metal and stone\u201d is outlined with colored lines; Pan Tianshou’s \u201cprecarious composition\u201d is infused with flowing light. This approach prevents \u201cFantasy-Color Freehand\u201d from becoming a rootless fashionable style, instead positioning it as a living, ever-evolving tradition. It answers a crucial question: in the age of globalization, how does tradition survive? Mu Ran Gong’s answer: by transforming it into \u201cgenetic fragments\u201d that can be decomposed, recombined, and translated for the contemporary era, achieving true resurrection and evolution through overlay.<\/p>\n\n\n\n

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\u5e7b\u5f69\u5199\u610f\u4e4b\u8def (The Path: 1979-Now) \u56db\u5341\u4e94\u5e74\u7b14\u8015\uff1a\u4e00\u6761\u4ece\u5929\u8d4b\u5230\u4f53\u7cfb\u7684\u5b64\u72ec\u5929\u8def Forty- […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-768","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.lujinsong.com\/index.php\/wp-json\/wp\/v2\/pages\/768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lujinsong.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lujinsong.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lujinsong.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lujinsong.com\/index.php\/wp-json\/wp\/v2\/comments?post=768"}],"version-history":[{"count":5,"href":"https:\/\/www.lujinsong.com\/index.php\/wp-json\/wp\/v2\/pages\/768\/revisions"}],"predecessor-version":[{"id":957,"href":"https:\/\/www.lujinsong.com\/index.php\/wp-json\/wp\/v2\/pages\/768\/revisions\/957"}],"wp:attachment":[{"href":"https:\/\/www.lujinsong.com\/index.php\/wp-json\/wp\/v2\/media?parent=768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}