{"id":562,"date":"2026-01-10T21:56:14","date_gmt":"2026-01-10T13:56:14","guid":{"rendered":"https:\/\/www.lujinsong.com\/?page_id=562"},"modified":"2026-01-23T19:15:42","modified_gmt":"2026-01-23T11:15:42","slug":"experimental-studies-experimental","status":"publish","type":"page","link":"https:\/\/www.lujinsong.com\/index.php\/experimental-studies-experimental\/","title":{"rendered":"Experimental Studies Experimental"},"content":{"rendered":"\n

\u5b9e\u9a8c\u5ba4\u624b\u7a3f\uff1a\u89e3\u7801\u201c\u58a8\u4e09\u8272\u4e94\u5149\u4e8c\u201d\u7684\u751f\u6210\u73b0\u573a<\/strong><\/p>\n\n\n\n

Laboratory Notes: Decoding the Generative Site of \u201cThree Inks, Five Colors, Two Lights\u201d<\/strong><\/p>\n\n\n\n

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Abstract: This essay delves into the \u201cbackstage\u201d of Mu Ran Gong’s creative process, using his \u201cExperimental Studies\u201d as a guide to visually unveil the generative process of the \u201cFantasy-Color Freehand\u201d system, from theoretical concept to pictorial realization. By analyzing the application of the core formula \u201cThree Inks, Five Colors, Two Lights\u201d in specific experiments, it demonstrates how his art exists as a rigorous form of \u201cvisual research.\u201d<\/p>\n<\/div><\/div>\n\n\n\n

Laboratory Notes: Decoding the Generative Site of \u201cThree Inks, Five Colors, Two Lights\u201d<\/strong><\/p>\n\n\n\n

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\u8fd9\u4e9b\u624b\u7a3f\u8bc1\u660e\uff0c\u201c\u5e7b\u5f69\u5199\u610f\u201d\u7684\u78c5\u7934\u6c14\u8c61\uff0c\u6e90\u4e8e\u6781\u5ea6\u7406\u6027\u7684\u7cfb\u7edf\u63a7\u5236\u4e0e\u5bf9\u6750\u6599\u7269\u6027\u7684\u6df1\u5ea6\u73a9\u5f04\u3002\u6bcf\u4e00\u5e45\u5b8c\u6210\u7684\u4f5c\u54c1\uff0c\u90fd\u662f\u65e0\u6570\u6b21\u5b9e\u9a8c\u4e2d\u201c\u6700\u4f18\u89e3\u201d\u7684\u5448\u73b0\u3002\u8fd9\u63ed\u793a\u4e86\u6728\u7136\u516c\u827a\u672f\u5bb6\u7684\u53e6\u4e00\u91cd\u8eab\u4efd\uff1a\u4e00\u4f4d\u5728\u4f20\u7edf\u5ba3\u7eb8\u5b9e\u9a8c\u5ba4\u91cc\uff0c\u4e0d\u65ad\u63a2\u5bfb\u89c6\u89c9\u8bed\u8a00\u65b0\u53cd\u5e94\u7684\u201c\u79d1\u5b66\u5bb6\u201d\u3002\u4ed6\u7684\u624b\u7a3f\uff0c\u4fbf\u662f\u6700\u73cd\u8d35\u7684\u5b9e\u9a8c\u8bb0\u5f55\uff0c\u9080\u8bf7\u89c2\u8005\u5171\u540c\u601d\u8003\uff1a\u521b\u9020\u7684\u79d8\u5bc6\uff0c\u5f80\u5f80\u85cf\u5728\u90a3\u672a\u5b8c\u6210\u7684\u3001\u5145\u6ee1\u53ef\u80fd\u6027\u7684\u751f\u6210\u8fc7\u7a0b\u4e4b\u4e2d\u3002<\/p>\n\n\n\n

Behind the grand narrative, \u201cFantasy-Color Freehand\u201d stands upon a foundation of numerous microscopic, specific, and even accidental experimental sites. The \u201cExperimental Studies\u201d series is the key to this core site. These studies are not sketches but independent visual dissertations, documenting countless possibilities of collision, permeation, conflict, and symbiosis between color and ink on Xuan paper.<\/p>\n\n\n\n

Here, we glimpse the practical application of the core formula: \u201cThree Inks, Five Colors, Two Lights.\u201d \u201cThree Inks\u201d refers to the three roles of ink in the pictorial structure: bone-dry ink as the skeleton, moist ink as flesh and blood, and splashed ink as breath. \u201cFive Colors\u201d does not denote five fixed hues but five functional states of color: color that breaks the ink, color that models form, color that creates atmosphere, color that adds the finishing touch, and color that harmonizes. \u201cTwo Lights\u201d refers to two fundamental light-source logics within the painting: inwardly condensing \u201cinternal luminescence\u201d (emanating from the object’s own energy) and outwardly diffusing \u201cambient light.\u201d<\/p>\n<\/div><\/div>\n\n\n\n

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\u5b9e\u9a8c\u5ba4\u624b\u7a3f\uff1a\u89e3\u7801\u201c\u58a8\u4e09\u8272\u4e94\u5149\u4e8c\u201d\u7684\u751f\u6210\u73b0\u573a Laboratory Notes: Decoding the Ge […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-562","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.lujinsong.com\/index.php\/wp-json\/wp\/v2\/pages\/562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lujinsong.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lujinsong.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lujinsong.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lujinsong.com\/index.php\/wp-json\/wp\/v2\/comments?post=562"}],"version-history":[{"count":5,"href":"https:\/\/www.lujinsong.com\/index.php\/wp-json\/wp\/v2\/pages\/562\/revisions"}],"predecessor-version":[{"id":952,"href":"https:\/\/www.lujinsong.com\/index.php\/wp-json\/wp\/v2\/pages\/562\/revisions\/952"}],"wp:attachment":[{"href":"https:\/\/www.lujinsong.com\/index.php\/wp-json\/wp\/v2\/media?parent=562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}