{"id":276,"date":"2026-01-08T11:38:00","date_gmt":"2026-01-08T03:38:00","guid":{"rendered":"https:\/\/www.lujinsong.com\/?page_id=276"},"modified":"2026-03-09T10:40:08","modified_gmt":"2026-03-09T02:40:08","slug":"home","status":"publish","type":"page","link":"https:\/\/www.lujinsong.com\/","title":{"rendered":""},"content":{"rendered":"\n
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Fantasy-Color Freehand Research Institute<\/strong><\/p>\n\n\n\n

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Begin the Color Journey<\/strong><\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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Explore the Philosophy<\/strong><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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\u6838\u5fc3\u7814\u7a76\u8def\u5f84\uff08Core Research Paths)<\/strong><\/p>\n\n\n\n

\u5b87\u5b99\u5fc3\u8c61 Cosmic Imagery<\/a> <\/mark> \u65f6\u7a7a\u5c42\u53e0 Temporal Overlays Temporal<\/a> <\/p>\n\n\n\n

\u5b9e\u9a8c\u624b\u7a3f Experimental Studies Experimental<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Cosmic Imagery<\/figcaption><\/figure>\n\n\n\n
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Temporal Overlays Temporal<\/figcaption><\/figure>\n\n\n\n
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Experimental Studies Experimental<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Master Ran possessed a deep understanding of landscape painting. He had transformed into a carving brush to depict the mind’s imagery. The line in Chinese painting is an innate genetic characteristic. Lines coexisting in the world also share many points of similarity. France’s Ingres, Russia’s Nikolai Fechin,<\/p>\n<\/div>\n\n\n\n

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Over two millennia, Chinese painting has continuously changed and developed. Chinese feudal society experienced several relatively open periods. For instance, the civilizations of the Han and Tang dynasties were directly influenced by India, Afghanistan, and Central Asia. During the Han and Tang, <\/p>\n<\/div>\n<\/div>\n\n\n\n

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The teaching \u201cLearn from Nature\u201d anchors Chinese landscape painting in the philosophy of representing \u201cCreation.\u201d For Mu Ran Gong, \u201c<\/strong><\/p>\n<\/div>\n\n\n\n

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Abstract: This essay focuses on Mu Ran Gong’s core methodology of \u201cOverlaying Historical Timelines.\u201d<\/strong><\/p>\n<\/div>\n\n\n\n

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Abstract: This essay delves into the \u201cbackstage\u201d of Mu Ran Gong’s creative process, using his \u201cExperimental Studies\u201d as a guide to visually unveil the generative process of the \u201cFantasy-Color Freehand\u201d<\/strong><\/p>\n<\/div>\n\n\n\n

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\u5bf9\u8bdd\u573a (Symposium)<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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\u5728\u573a\u4e0e\u56de\u58f0\uff1a\u5e7b\u5f69\u5199\u610f\u7684\u5b66\u672f\u5bf9\u8bdd\u573aPresence and Echo: The Academic Symposium of Fantasy-Color Freehand (All my explorations rest on a philosophical foundation laid by my master\u2014Mr. Ran Shi.<\/a><\/p>\n\n\n\n

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