I am an artist moving between the north and south of China. Each time I return to my northern studio, this rhythm of shifting spaces brings a fleeting yet palpable ascent of the spirit. It is in such silence that inspiration most often emerges.

My practice is committed to constructing a new pictorial language. The aesthetic faith of Eastern ink wash painting stems from the ancient Chinese poetic interpretation of nature, distinct from Western realism’s observational approach. Yet I have come to recognize a shared essence between Eastern and Western art: a common pursuit of lyric essence and pure beauty.

I no longer merely depict the external forms of objects. Instead, I deconstruct and reinterpret their inherent qualities through personal perception. This has evolved into what I call Fantasy‑Color Freehand—a visual language that carries the legacy of traditional aesthetics yet is charged with contemporary consciousness.